Exclusive Interview: UK Rapper Ikes Talks The Evolution of The Rap Game In London, Bringing His Talents Stateside, & More!

Back in October 2013 during the clusterfuck that is CMJ week, I met a lovely Brit by the name of Ikes while out and about at Fader Fort. We chatted, got some food, party-hopped with friends, and kept in touch as he told me that he was a rapper based in London, that was really starting to get his feet wet in the US.

Fast forward a couple months and Ikes’ music and videos are plastered on all the major blogs. It’s amazing to see the love for him from the US, so I personally wanted to get to know him better on the music-side, by having him tell his story, via an exclusive interview with yours truly. Enjoy!

Tell us about your musical influences growing up, and when you knew you wanted to pursue music professionally?

I grew up in a Nigerian household in the UK, there was a lot of cultural African music. My Pops is very musically inclined, and his vinyl collection was crazy. He had a lot of African music, but then again he had a lot of Michael Jackson, Lionel Richie, Elvis Presley, Tracy Chapman, and everyone really, so I just picked up from there. I’m the youngest of six; my eldest brother was a DJ, and he just kind of passed it down. I looked up to my two oldest brothers, they were so musically inclined and that’s where I got most of the music from, cuz they really were the rap fans back in the day. They always brought home the latest Wu-Tang, Pharcyde; these are the people I grew up on you know? I always used to thief their tapes and stuff.

We have a genre back here [UK] called garage. It’s kind of like dance music but gritty. We used to emcee over music, and I did loads of that. When I got to what we call “college”, you guys call “high school”, the garage culture was evolving a lot, it was evolving into something called grime, this was in 2002.  A lot of people started getting into grime, and emcees became grime acts; I as an emcee became a rapper. I was just influenced by different things. I was listening to Nas, and Jay, Busta, Ludacris and Cam, this was Dipset-heavy era…this was the kind of music I was listening to, which I was heavily influenced by. I started rapping in high school [college in the UK], and when I got into university, I signed up for MySpace and put up some music. It was not mixed, the sound was awful! I freestyled on Ameriie’s “Why Don’t We Fall In Love?” record, I had a couple freestyles on there, I thought I was fly. I got a really, really good response, but the response came from America, not from the UK. I had all these Americans hitting me up, saying that the music helped them get through stuff, and that it really touched them, and that’s when I knew, it must have been 2005, but I knew I wanted to feel like that everyday.

Music Video: “Walk to Freedom”, which documents his most recent trip to New York.

You have your own music-focused creative development & marketing company called Port Mayfair. Can you tell us more about what you all do, and the inspiration behind the name? 

As I said, most love used to come from abroad, so we just took it there; I needed an international network. We got all entrepreneurial and I founded a lifestyle group which is Port Mayfair. Mayfair is in Central London, it’s very bougie, for the rich and famous, and very high-end, dining and clubs. The port is where the yachts all meet at one point, and so my idea is, ‘I don’t come from anything and I don’t have the big label, and I don’t have this big backing’ or whatever, but I honestly do believe in creating a product that is as good as a Kanye, as good as those people that are right up here. So when I say “Port Mayfair”, I’m just talking about really creative individuals colliding, and not compromising on product. I’ve just used “Mayfair” because that’s the area, and “port” is where we come together. I want to work with people who are top of their game; they may not have the name, but they are as good as anyone else that’s doing it. It’s kind of like my version of DONDA, basically. I understood coming into the industry that it’s more than music, and people have to buy into you as a person, and what you believe in; buy into you as a brand, you know?

How does rap music in the UK differentiate from that in America?

There isn’t a rap culture in the UK; there is a rap market, but there is not a rap culture. What that means is that we can’t birth any real rap stars here; you can’t make your name here. If you have a name already, there is a market for you, but you can’t make your name here doing rap music. You can make your name here doing “pop-rap” music, i.e. Tinie Tempah, Dizzie Rascal, but if you want to make “rap” music, not trying to discredit or throw shade on those guys cuz I like them, it’s a different genre and it’s not to be confused; they came from grime. A lot of what they call UK rappers are grime acts, but in order to promote them and market them across the nation, is by calling them rappers. They are rappers, they just don’t make rap music.

You were recently on a college tour in the US. What was that experience like?

I’ve recently come back from this college tour in New York, where I saw you. It wasn’t really a big thing, but it was good for experience. I did a lot of traveling and I met some cool people, you know? It just adds to the story.

What can we expect from Ikes, the artist, in the coming months? 

I’ve finished the EP, it’s called “Outside In”. The name plays off the fact that I’ve had to go outside to build a name, with the intentions of  building a name outside to get back in to the UK. I’ve worked real close with a guy named Edward Nixon, who’s the chief engineer of Grammy Award-winning production team, the Justice League. I’ve got this international team now, and we’re ready to deliver “Outside In” to the masses. We don’t have an exact date for the release, but we know we want it to be summer. We want people to want the project, if that makes sense. I’ve got a load of material that is not on the project that we will use to get that buzz going.


It was a pleasure chatting with Ikes! Look out for his latest EP, “Outside In”, coming later this summer. Also be sure to check him out on his official website, Twitter, and Facebook.

 

*Photos courtesy of Ikes 

Saturday Sounds: Etta Bond “Come Over”

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I recently became acquainted with the music of UK songbird Etta Bond, and I’m so happy that I did. Her seductive vocals paired with raw songwriting and stellar production is a sure hit. I listened to all suggested songs on SoundCloud and stopped in my musical tracks when I heard “Come Over”.

The tune is bittersweet, painting the picture of the other woman, who happens to be staying with her lover and his girl. The song is a bit twisted, but draws you in. The melancholy production by Raf Riley pulls you into the tale, accented with cowbells to keep the spirits up. Check the tune out below.

Listen To This: BANKS “This Is What It Feels Like”

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Banks

When you hear the name “BANKS”, you probably don’t immediately think of a delicate-framed, gorgeous singer-songwriting lady; maybe a rapper, right? But BANKS is the name of the 25 year-old woman who is taking the music industry by storm. The model-esque singer based in Los Angeles, breathes raw emotion into her music through her smoky, and at times poignant vocals.

Stylistically, she blends elements of rock, new-age, electro, and down-tempo, for a perfect blend of soul-bearing chill music. She recently released “This is What It Feels Like”, produced by UK-based Lil Silva, and my favorite man, Jamie Woon (who also provides additional vocals).

She is currently supporting The Weeknd on his North American tour (which began September 6th), which is sure to be a musical treat! Get into her!

Listen To This: AlunaGeorge

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AlunaGeorge

With the second annual Budweiser Made in America Festival right around the corner, this Labor Day weekend to be exact, I wanted to take the time out to formally introduce you to one of the acts I am most excited to see live in Philly; AlunaGeorge. AlunaGeorge is a UK based musical duo,  consisting of vocalist Aluna Francis and producer George Reid. Their sound is one of my favorites now, a blend of UK garage, R&B, electronica, down-tempo, house, and pop.

They’ve been bubbling under the radar for some time, recently bursting into the mainstream with their Disclosure collaboration, “White Noise”, but now, they are truly ready to take the United States, embarking on a multi-city tour throughout the month of September. They are touring their major label debut, Body Music, which includes the sexy single “You Know You Like It”. Check out snippets of the album below, now available for purchase on iTunes.

Are you digging the sound? Will you be checking out AlunaGeorge this fall? Sound off below!

Watch This: Idris Elba’s “How Clubbing Changed The World”

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Originally aired on August 24, 2012 on London’s Channel 4, Idris Elba’s “How Clubbing Changed The World” is a gem for dance music and club culture nerds and historians. The documentary is a 120 minute film, covering the creation and evolution of house music in its beginnings in the US, its development and inclusion in British club culture, back to its current popularity in the US under a new moniker, electronic dance music or E.D.M.

There are in-depth interviews with the musicians, DJs, journalists, and club owners who have seen and experienced the evolution of dance music first-hand. Although the film focuses on British DJs and nightlife culture, it truly brings light to the global phenomenon of dance music. Check out the film below, if not for the love of music, for the love of Idris Elba!

Listen To This: Sinead Harnett

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I’m starting to think that there is something in the water over in the UK, because all the music that has truly captured me lately has its home-base across the pond. Sonically, I’m drawn to the juxtaposition of UK garage, 90s house, deep soul, and R&B. Artists like Disclosure, Jessie Ware, and SBTRKT have made their mark in this realm, but there is a new kid on the block, and her name is Sinead Harnett.

Sinead stepped out onto to the scene a little over a year ago, providing vocals for Disclosure’s single, “Boiling”, off their The Face EP. Her slightly raspy, incredibly soulful voice provided another dimension to the otherwise down-tempo track. In addition to Disclosure, she has provided duet vocals and a hook for fellow UK artist Rudimental’s track “Baby”. She’s recently landed herself a record deal with the Black Butter imprint, so we can definitely look out for more from Sinead in regards to touring and new projects.

Listen to a few tracks below via her SoundCloud. Enjoy the sounds!

Watch This: Disclosure feat Eliza Doolittle “You & Me”

 

With the recent audio release of Disclosure’s new single “You & Me”, featuring UK songstress Eliza Doolittle, I patiently awaited this day, the music video release. The visuals capture the essence of young love in all forms. It features a couple travelling throughout Europe, getting lost together, and sharing tender moments in their downtime. We see their ups and downs, how they yearn for one another, and how they bring the lyrics  below (in the chorus) alive.

So please don’t let go
‘Cause you know exactly what we found
So please don’t let go my darling
You keep me hooked up underground

Check it out.

10 Acts I am Psyched to see at Coachella: Euro Edition

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EURO EDITION

10. La Roux (UK)I missed them last year because of stage conflicts, and I just need to sing “Bulletproof” at the top of my lungs.

Twitter: @larouxofficial

9. Simian Mobile Disco (UK)I dig their funky electro sound. Makes me feel like running around in a field with a bunch of hippies. Oh, you say that’s I will be doing at Coachella? Correct. I suppose this is the proper venue for them.

Twitter: @smdisco

8. Benny Benassi (Italy)I’ve wanted to see Benny Benassi for a few years now, but have missed all his stints at Electric Zoo. I can finally let out my inner raver to his jams in the desert. Splendid.

Twitter: @BennyBenassi

7. Jamie Jones (UK)I discovered Jamie Jones this year after seeing his name in the 2013 line-up. I was pleasantly surprised with his soulful house hybrid.

Twitter: @jamiejonesmusic

6. Hot Chip (UK)Great vocals. Great production. Music to dance to.

Twitter: @Hot_Chip

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